David lynch wild at heart, walter hill9/26/2023 ![]() For instance, Stuart Mitchell (1999) points out that in David Lynch's Lost Highway, as Lynch himself points out, the dream/dreaminess is neither a fantasy nor a delusion but something intrinsic to the character, thus what we watch is essentially the story of the main character and it is realistic according to his logic. The tendency to eschew a coherent narrative has been very common especially since the 1990s and a certain approach to narration has become observable within postmodern cinema: the viewer is denied access to the truth and realities concerning dramatic structure and characters, either during part of the narrative, or throughout the entire movie.
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